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TIME FOR PRINTS
For anyone wishing to get into modeling, good photos are essential. They represent
your appearance and experience, so using snapshots or webcam shots simply isn't
good enough. Prospective employers expect to see a variety of photos in your portfolio.
If you price this work, you will find it costs $300 up per session. It takes several
sessions to build a portfolio. E.g., head shots, swimwear, lingerie, fashion.
The alternative to spending thousands of dollars for a portfolio
is to trade time for prints. The model gets images and the rights to use them
for self promotion; the photographer gets a release
and retains copyright
and ownership of the images. There is a common misconception that TFP is "working
for free." This is not the case. A photographer usually invests thousands
of dollars in equipment and spends time taking and retouching the pictures, finding
locations, purchasing wardrobe and often hiring assistants and makeup artists.
For every hour a model spends, a photographer spends two or three.
I am usually willing to do TFP or TFCD shoots. The number one reason is that I
enjoy photography. Second, I like helping beginners get started. Third, it is
a way for me to find models that I might use for a future project.
The model's input on TFP shoots is important. After all, it is her portfolio,
and I want her to be happy with it. I am flexible on the style for these shoots.
If I know that you don't want do nudes I won't ask. It is not a requirement
and I don't believe that anyone should do pictures they will be unhappy with.
For those that are interested in doing nudes
(over 18 only), my style is pretty much what you see on this site, artistic only.
If you are not relaxed, the result won't be a good picture, so I don't want to
do it unless you are comfortable. Models are also welcome and encouraged
to bring an escort with them.
Models under 18 should bring a parent or guardian with them.
I have had problems in the past with TFP models so there are a few
things that I would like models to keep in mind.
Make sure you are serious. Be prepared to discuss what you need
and set shooting dates.
Good communication is important. Taking a week or two to reply to
emails slows down the whole process and increases the chance that I
will lose track of you or forget what we were talking about. Often I
will respond to email within a few minutes. If email is a problem let
me know and I will talk to you by phone or better yet, meet with you to
discuss your shoot. If you change your mind about doing a shoot, please
be polite enough to send me a note. (Don't just stop responding.)
Be professional: If you can't make an appointment, let me know as soon
as possible. I do custom work on every shoot, choosing a location and
wardrobe that suits the model. Please don't put me to all that work and
then not show up. I know things can go wrong -- cars break down, people
get sick. Even if you have a problem on the way to a shoot, just give
me a call and I will be happy to reschedule. Just don't leave me and my
assistants sitting around wondering where you are.
Most things are negotiable as long as the request is reasonable. I will shoot
different styles or discuss different options on image usage. It is possible that
the images I want are not the same as what you want. In that case, we can trade
what you need for what I need (Current Project). I am also
willing to do images for pay web sites provided I get fair compensation.
Keep these things in mind if you would like talk to me about a shoot. Feel
free to contact me. It helps
if you can give me your stats, and a picture if possible.
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